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About 70 percent of the tickets at the TKTS booth in Times Square are bought by tourists and roughly half of those sales are to foreign travelers. That is the backbone.” Indeed, billions of dollars and many thousands of jobs are at stake . Employment in New York City’s arts, entertainment and recreation sector plummeted by 66 percent from December 2019 to December 2020, according to a state report . Even as things reopen, and workers are hired back, challenges remain: The tourism agency forecasts that visitor spending in 2021 will be about $24 billion, roughly half of what was spent in 2019. Few sectors of the city’s economy are more of a draw to foreign travelers — or lean more heavily on them for revenue — than the arts.Credit...Angela Weiss/Agence France-Presse — Getty Images International visitors typically make up about a fifth of the city’s visitors, but they tend to stay longer and spend more than domestic visitors: what they spend accounts for roughly half of all tourism dollars. On Broadway, tourists from outside the United States comprise about 15 percent of the audience during a traditional season, said Charlotte St. Martin, the president of the Broadway League. (There is a reason that the website of “The Lion King” is lined with flags indicating where to click for translations of its sales pitch in French, German, Italian, Japanese, Korean, Portuguese, Chinese and Spanish.) The Metropolitan Opera said that international ticket sales have accounted for about 20 percent of total box office revenues during the last five seasons. And more than half of New York’s international visitors go visit an art gallery or museum during their trip, according to data from NYC & Company. One in four go to some kind of live performance when they are in the city — be it a concert, play, musical, a dance performance or opera.

https://www.nytimes.com/2021/11/12/arts/design/new-york-international-tourists.html

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Jon Hopkins found his beatless new album, 'Music for Psychedelic Therapy,' deep down English electronica musician and producer Jon Hopkins. His new album, Music For Psychedelic Therapy, is out now. Kevin Lake/Future Music Magazine hide caption English electronica musician and producer Jon Hopkins. His new album, Music For Psychedelic Therapy, is out now. Electronic musician Jon Hopkins became best known for his expansive, utterly danceable early electronic music. But his latest release, Music For Psychedelic Therapy, is (clearly) something different. At the heart of the album is an immersive, beatless soundscape, built upon field recordings Hopkins made by spelunking 60 meters underground in Ecuador. As per the title, the record is spirtually connected to Hopkins' work crafting music experiences for a psilocybin (that's the psychoactive ingredient in "magic" mushrooms) trial held at Imperial go to the website College London. The result is a totally new space for Hopkins' sound.

https://www.npr.org/2021/11/12/1055062106/jon-hopkins-found-his-beatless-new-album-music-for-psychedelic-therapy-deep-down
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took his phones, which had confidential donor and source information. He said that neither he nor his group had done anything wrong, and that the F.B.I. searches were an assault on the First Amendment. The legal documents obtained by The Times were written several years ago, at a time when Project Veritas was remaking itself from a small operation running on a shoestring budget to a group more closely modeled on a small intelligence-gathering organization. During the Trump administration, the group saw a flood of new donations from both private donors and conservative foundations, and hired former American and British intelligence and military operatives to train Project Veritas agents in spycraft. In a statement issued by one of its lawyers, Project Veritas said it “stands behind these legal memos and is proud of the exhaustive work it does to ensure each of its journalism investigations complies with all applicable laws.” The statement said the work “reflects Project Veritas’s dedication to the First Amendment, which protects the right to gather information, including about those in power.” Project Veritas is suing The New York Times over a 2020 story about a video the group made alleging voter fraud in Minnesota. Most news organizations consult regularly with lawyers, but some of Project Veritas’s questions for its legal team demonstrate an interest in using tactics that test the boundaries of legality and are outside of mainstream reporting techniques. In a February 2018 memo, Mr. Barr said he was writing in response to questions from the group about the use of Tinder “to meet prospective agents of the ‘Deep State’ or those with national security clearances.” The document discussed the perils of the Espionage Act at length, and warned that Project Veritas should not try to obtain or publish any information related to national security. “In addition, as more facts and developments occur in these investigations, further legal consultation is advised,” the secret info memo stated.

https://www.nytimes.com/2021/11/11/us/politics/project-veritas-journalism-political-spying.html